Wristbands & Cuffs

Want to know more about your The London Leatherman cuffs and wristbands? Here are some production notes:

The black leather we use is vegetable dyed cow hide from Italy.

All of our studs are made in Italy and then beautifully chromed in (south) London.

No edge of the leather is left raw once cut, but hand painted and sealed.

All our leather goods are hand made in (central) London.

We use double popper fastening positioned just as they were designed originally.

These wristbands and cuffs are not reproduction imitations but re-issues that have been designed with improved function and quality materials for 2021.

Each wristband and cuff is embossed with the trademarked logo.

Both Sid & Nancy wearing The London Leatherman wristbands. Nancy wearing a LLM LW3 Belt too.

Both Sid & Nancy wearing The London Leatherman wristbands. Nancy wearing a LLM LW3 Belt too.

Sid wearing a LW10 Cuff that was available in various studs and leathers from the LLM Exotica catalogue.

Sid wearing a LW10 Cuff that was available in various studs and leathers from the LLM Exotica catalogue.

Accessories for Leather & Style Enthusiasts

The underground fetish belts and cuffs that became the must have accessories for leather and style aficionados.

The outrage caused when wearing a studded cuff or studded belt in the 1970s and earlier we’ve covered here before. That the studded accessories were reserved for rebels, outcasts, bikers, heavy rock ‘n rollers, a specific style of gay man, young punks and to wear one would provoke utter outrage amongst squares and the more conservative members of society. Police arresting you for simply wearing The London Leatherman cuffs or belts on the pretext they were a weapon or that wearing one implied you were up to no good was a real thing in the 60s & 70s (see the ‘Weapon Or Decoration’ press clipping in ‘The Galaxy Belt’ post) and if not the police the public would often feel it was their duty to discriminate or even attack. Therefore, anyone who was brave enough to wear The London Leatherman accessories in public, pre- 1979, really did have a lot of bottle and were true style trailblazers, paving the way for studded leather accessories to be worn by everyone from pop stars on TV to models on the catwalk at Paris Fashion Week. It’s hard to believe today that such high stylised accessories could at one time cause so much outrage.

The mix of fear and excitement that came from ordering accessories from The London Leatherman and it’s stockists during more conservative times came with a real thrill and many customers who did in the 60s and 70s speak of true rebellion and the feeling of absolutely having to have the ultimate accessory to let people know they were the real deal when it came to their chosen scene, whether it be the British biker scene, glam rock scene, punk rock scene or gay scene. To shop at The London Leatherman signified not only that you had the cash, it was expensive, but that you had enough ‘balls’ to walk into a gay leather fetish shop and be served by Ken with his cropped hair, earing in his left ear and clone style, which at the time was outrageous.

Jordan Mooney, model, actress and pin-up of punk is one of the key icons to pioneer the fusion of hard-core fetish with fashion in the 1970s. She’s pictured here wearing 2x The London Leatherman wrist cuffs  Photo Credit: Richard Walker

Jordan Mooney, model, actress and pin-up of punk is one of the key icons to pioneer the fusion of hard-core fetish with fashion in the 1970s. She’s pictured here wearing 2x The London Leatherman wrist cuffs Photo Credit: Richard Walker

Today with the outrage and disapproval having dissipated into distant history, what is the significance of these leather accessories in 2021?

Come the 1980s these underground fetish accessories were now high fashion, featured in Vogue and available in clothing markets across the globe. Many companies started manufacturing similar accessories and cheaper, leaving The London Leatherman for the true aficionados of style, quality leather work and The London Leatherman’s notoriety.

Today we take the best design elements from The London Leatherman catalogue of work and make it relevant for 2021, using only the best leather (that doesn’t require stitched reinforcing) and the best studs and fittings from Italy. Our accessories are made using only the highest quality materials and techniques available that stand the test of time in both quality and style.

The Deluxe Belt

The Deluxe Belt

LW3 Dome Stud Belt

LW3 Dome Stud Belt

LM1

LM1

LM2

LM2

Plain leather accessories like the LW1 & LW2 wrist cuffs pictured here, provoked equal amounts of disgust and outrage in the 1960s & 70s, when today they are a high stylised accessory for leather enthusiasts.

A The London Leatherman LW1 Wristband from the early 90s. Photo James Muldowney Styled by Dave Carroll.

A The London Leatherman LW1 Wristband from the early 90s. Photo James Muldowney Styled by Dave Carroll.

A page from The London Leatherman ‘Exotica’ Catalogue of accessories,1975.

A page from The London Leatherman ‘Exotica’ Catalogue of accessories,1975.

Members of The Slits wore The London Leatherman accessories. Here’s Viv Albertine wearing a Superior Belt with straight pyramid studs. Photo Ray Stevenson.

Members of The Slits wore The London Leatherman accessories. Here’s Viv Albertine wearing a Superior Belt with straight pyramid studs. Photo Ray Stevenson.

Pyramid Stud Superior Belt, set on an angle just like The London Leatherman Superior Belt made for Johnny Rotten in 1976.

Pyramid Stud Superior Belt, set on an angle just like The London Leatherman Superior Belt made for Johnny Rotten in 1976.

1976 Soo Catwoman wearing The London Leatherman wristband. Spot the LW10 Cuff and customised LW21 Belt too. Photo: Ray Stevenson.

1976 Soo Catwoman wearing The London Leatherman wristband. Spot the LW10 Cuff and customised LW21 Belt too. Photo: Ray Stevenson.

Special Edition The London Leatherman- Centurion Stud Wristband.

Special Edition The London Leatherman- Centurion Stud Wristband.

1976 Philip Sallon wearing a LW10 Cuff with cone studs and The London Leatherman cire t-shirt. Photo: Ray Stevenson.

1976 Philip Sallon wearing a LW10 Cuff with cone studs and The London Leatherman cire t-shirt. Photo: Ray Stevenson.

LW10

LW10

LW10

LW10

The Galaxy Belt

The studded belts worn by the rockers and greasers who met-up and congregated in and outside of the Pride & Clarke showrooms throughout the 1950s, 1960s and 1970s are what our Galaxy Belt design is based on.

A free-form design of gold and chrome studs in various sizes, studded to the best quality belt leather and made here in London, England.

Now a stylish accessory, worn as an everyday item, day or night, for many years the studded belt in Britain was considered a weapon for fighting and to wear one was menacing and threatening! The idea that a belt proved you were a threat to society was a real thing (the same was believed of studded wristbands, see article at bottom of page), right up until the mid-1970s when post punk everyone from kids to fashion editors started wearing them.

Naughty Belts. Photographer unknown.

Naughty Belts. Photographer unknown.

P&C produced and sold a variety of leather belts, when during the 1950s and 1960s rockers and greasers would hand stud their belts, usually quite naively and roughly. We’ve produced the 'Galaxy' design in reference to the hand studded history and free creativity of these belts (those wanting to be truly menacing would stud nails into the leather for that extra punch!)

1963- Rockers outside Pride & Clarke in Stockwell, London. Photo: Roger Mayne

1963- Rockers outside Pride & Clarke in Stockwell, London. Photo: Roger Mayne

Our signature square (antique) buckle is a heavy and durable design influenced by belts we have in our archive from both P&C and The London Leatherman. We advise all of our customer to take the time to measure their waist before ordering and order to your exact measurement so that our belts fit you as all good belts should, with minimal overhang.

The Galaxy Belt £125. With matching D-ring accessory for your keys and wallet chain.

The Galaxy Belt £125. With matching D-ring accessory for your keys and wallet chain.

With the many cultural and design cross-overs between Pride & Clarke and The London Leatherman today we produce the The Galaxy Belt under both labels.

Weapons or decoration? Article from 1976. Mr. Gower wearing 2x The London Leatherman LW3 Wristbands  of which he was arrested for.

Weapons or decoration? Article from 1976. Mr. Gower wearing 2x The London Leatherman LW3 Wristbands of which he was arrested for.

There’s more about the Galaxy Belt here: Dave Carroll on Instagram: “How it came about! Vol.2”

Dave Carroll & The London Leatherman

‘’Around 1972/73 my Mum was working for a clothing factory in Battersea, (London) there was a few clothing factories (in the area) and they did contract work for the British Army, for example making British Army combat trousers.

Well, these factories all closed down because of the recession in the 70s and the seamstresses, which a lot of the woman in our area were, had no work. However, there was this very weird shop on Queenstown Road, around the corner from where we lived. We’d always seen stuff in the window and because we were just kids, we couldn’t understand it. Actually, pretty much no one in the area could understand it or why it was even there. Battersea was very working class, dull, with nothing interesting for people to visit, there wasn’t even a tube line. It was a very strange place for it to be in. From the outside it looked like a sauna with slatted woodwork and a very small glass window, which had in it studded belts, studded wrist bands and I remember a leather mask which completely and utterly freaked everyone out and everyone’s attitude was ‘what the fuck is this shop about?’. The shop was called The London Leatherman.

The guy who owned the shop, (his name was) Ken, it seemed was making a lot of money and selling a lot of stuff. We couldn’t understand what he would be selling and as I was getting older I came to understand it was a gay shop, but still not knowing what gay was. So….. anyway, the woman in the area who were now in need of work started working for him. This included my Mum, who went around the corner to see him and started working for him. Basically he would pay per piece and all my Mum had to do was sew leather jock straps, which she did on a machine she set up in our dining room. It was only until recently we had rolls and rolls of elastic in a cupboard left over for making these jock straps.

Basically, the pieces for the jock straps were already cut out and all my Mum had to do was sew them together. There was piles and piles of red ones and black ones, with The London Leatherman label sewn in. They really were ‘hand-made in London’ items and all the woman in the area who started working for him, found it hilarious. I remember my Nan putting one on her head, with the kids running around laughing, you know just playing and my Mum on the machine making these jock straps.

The jock straps were like elastic around the back, open at the back, with these leather pouches, which were pouches for the balls and the cock to come out of the top. It was pretty full on for the 1970s. But what he was selling to was the gay liberation, which had a really big leather scene in America, in particular San Francisco. A lot of it was being exported and there would be lorries turn up every few weeks and filled with all his leather goods to be shipped off. Of course, at first I didn’t know all of this, I was just a kid, but in later years when I got to know Ken he would tell me about the Coleherne Arms in Earls Court which had a leather scene back then, but all they could get was motorcycle stuff, which was kind of baggy and no one could get the right looking stuff, I imagine the inspiration being Tom Of Finland. They all wanted a fitted leather look and he was the only one who could (and would) make it. He literally started by trial and error, making for himself, wearing it out to the Coleherne and on his bike, he had a big BMW RS900 motorcycle, and that’s where his business came from. He played a very poignant role in the gay leather scene.

My mother continued doing bits and pieces of work for him, when all of a sudden the punk thing started and I started noticing from looking at all the music papers and everything going on that the punks were wearing the stuff I’d seen and knew it must’ve come from Ken’s shop.

We all used to hang around on street corners back then, and I was getting into punk. There was this kid who hung around with us who was a Teddy-Boy and he had a studded wrist band. I thought, that’s what the punks wear, ‘punk rockers’ is what they were called then, punks wear stuff like that. He said ‘I got it from that shop, you know that weird shop around the corner’. So, I did a deal with him or something, I think I had a tie, a Teddy-Boy boot lace tie and I swapped it with him for his wrist band. Once I put that wrist band on, and I had a Sex Pistols t-shirt, a really naff one, a capped sleeved one, I was a punk rocker. I was just 12 going on 13, I had really come of age when all of a sudden I was wearing that stuff. I remember straight away going to get a pair of jeans, they were flared, I had them drain piped, taken in, I went and bought a pair of Teddy-Boy creepers and I had all my hair cropped off. That was it, as easy as that everything changed in my life, I was a punk. But, I hadn’t even heard the music properly, I just liked the look. That would’ve been early 1978. I look back and I was very young.

In 1978 my Mum was still doing some work for The London Leatherman and she wanted me to drop some finished items off to his shop. But, I really didn’t want to, I didn’t want to go into his shop. She said ‘Just drop the bag off to him, he’ll give you an envelope with money in it and bring it back’. I can’t emphasize enough how much I didn’t want to go around there, it terrified me, it was a terrifying place. But, Ken was perfectly nice, he was a very nice guy. So, I went round there, he knew who I was. I dropped off the bag and he gave me the envelope and he said ‘you like all the punk stuff don’t you?’

And I said ‘Yeah, yeah I do’.

‘Well don’t ever buy it from that bastard’. He was referring to Malcolm McLaren the manager of the Sex Pistols and at that time had the shop Seditionaries with his partner Vivienne Westwood. He said ‘Do you want one of these and you can have some of those….’ I got studded belts and cuffs off him and I got these shiny t-shirts a red one, a navy blue one and a black one. He just gave them to me. They were capped sleeved, in a ciré like fabric which I later saw that the shop SEX sold them. The London Leatherman sold them with his labels in, he also sold them to Malcolm McLaren and put the SEX labels in. You can see the Banshees (Siouxsie and the Banshees) wearing them, they really were very early punk rock clothing.

As time moved on I really wanted a pair of leather trousers. I went and got a pair from Lewis Leathers. But, they were motorcycle jeans, they weren’t what I was looking for. I wanted jeans I’d seen the Sex Pistols wearing and what Generation X and bands like that were wearing. They were tight leather jeans with rivets, chrome rivets and they were a specific thing. So, much later in 1980/81 (I was 16) I went around to The London Leatherman and asked Ken. He said ‘I’ll make you a pair, it’ll cost you this much’. I’d just started working, so I had some money and he made me a pair with a belt. When you used to get leather trousers made by him, he’d make them with a matching studded belt.

The trousers had no lining in them, so they could be just tight enough, like a second skin. Essentially London Leatherman made fetish wear, which I didn’t understand back then, I just thought it looked good. I wanted to look like Johnny Rotten (of the Sex Pistols), not a Tom of Finland drawing. It was fetish wear that became fashionable. These were the exact trousers the Sex Pistols were wearing, so I had my pair made by Ken and they were absolutely brilliant leather trousers. They looked fantastic with creepers, boots, anything.

I also got made by him a leather jacket. It was a single zip up the front jacket, with tassels, like a proper rockers jacket. Signature to his style it had popper studs on the cuffs. It was a great leather jacket.

He also sold great big knitted, chunky cardigans and jumpers, which I thought was odd. A friend of Kens used to knit them and so you could order a handmade woollen, chunky knit by The London Leatherman too. They were beautifully made, incredible.

Back when The London Leatherman was selling leather items to Malcolm McClaren for his shop SEX, on the Kings Road, he got wrapped up in the scandal related to the leather mask that the Cambridge rapist wore (1975). Both shops were raided by the police, because they were trying to work out the customers who had bought them. Ken had to say who bought the masks. That’s where the inspiration for the Cambridge Rapist t-shirts sold at Seditionaries came from. Previous to the scandal SEX sold a t-shirt with just the leather mask printed on, no writing.

But, The London Leatherman was constantly being raided. I’m sure because the police were homophobic in the 1970s. But, police just harassed people then, especially punks and people shopping at Seditionaries.’’

The LT2 Leather T-shirt by THE LONDON LEATHERMAN

The London Leatherman LT2 T-shirt made from leather and identifiable by the zip detail at the side and at the collar was first intended as a garment for the underground fetish scene. But, in the late 1960s with the fashion elite on the Kings Road, Chelsea choosing to wear their The London Leatherman pieces on the street and not just behind closed doors the LT2 T-shirt transcended into the glam rock, soul boy, punk rock, motorcycle and disco style genres.

The London Leatherman LT2 Leather T-shirt £385

The London Leatherman LT2 Leather T-shirt £385

Designed by Ken (Heddle Law Magson) in the late 60s to be fitted and unlined so that the leather sits against the skin, this garment, like our leather jeans is designed to mould uniquely to the owners shape as they wear the leather in. The working zips on the left side and left collar are for getting in and out of the garment

David Johansen & David Bowie, NYC 1974. Photographer Bob Gruen

David Johansen & David Bowie, NYC 1974. Photographer Bob Gruen

It was around 1972 that Malcolm McLaren took an interest in The London Leatherman and in the time before and when McLaren managed the band the New York Dolls he dressed them in a lot of The London Leatherman items including the LT2 T-shirt. We’ve included above the picture by photographer Bob Gruen of singer David Johansen wearing the LT2 T-shirt in black leather, he also owned it in red leather.

Much to the horror of the fetish (in particular the gay fetish) scenes it was Malcom McLaren and Dame Vivienne Westwood who made the LT2 T-shirt ‘Punk’ (We’ll cover in more detail the transition from fetish to punk in a following blog post). Pictures below of Vivienne wearing the LT2 T-shirt are by photographers Ray Stevenson (Vivienne side of stage) and Ian Dickson (Vivienne with Sid Vicious).

Dame Vivienne Westwood 1976 at a Sex Pistols gig. Photographer Ray Stevenson.

Dame Vivienne Westwood 1976 at a Sex Pistols gig. Photographer Ray Stevenson.

Dame Vivienne Westwood & Sid Vicious 1976 at a Sex Pistols gig. Photographer Ian Dickson.

Dame Vivienne Westwood & Sid Vicious 1976 at a Sex Pistols gig. Photographer Ian Dickson.

Adam Ant wearing The London Leatherman LT2 T-shirt. Photographer unknown.

Adam Ant wearing The London Leatherman LT2 T-shirt. Photographer unknown.

Customers could purchase the LT2 T-shirt from The London Leatherman mail order catalogues or from The London Leatherman workshop directly, the LT2 T-shirt was also sold in the boutiques Granny Takes A Trip, Mr. Freedom, Let It Rock, SEX amongst many others. When these shops bought enough pieces from The London Leatherman their own branded label would be sewn into the garment instead of the black and white The London Leatherman label, these boutiques would often sell The London Leatherman items with both labels and a lot of the time no label.

Page from The London Leatherman catalogue 1975.

Page from The London Leatherman catalogue 1975.

Illustration from The London Leatherman mail order catalogue 1972.

Illustration from The London Leatherman mail order catalogue 1972.

The t-shirt in a classic cut and a cap sleeve version was available in The London Leatherman catalogues from 1970 through to the mid 1980s. Today we offer the classic cut, made-to-order waxed sheep’s leather on WWW.THELONDONLEATHERMAN.COM